
We cue up Chamillionaire’s Ridin’ on Tidal and the Charge 5’s extra ounce of prowess over the Charge 4 reveals itself. It’s a neat feature, although some existing JBL owners may be irked by PartyBoost’s inability to play nicely with the older Connect+ tech. Leaving the app, we press the PartyBoost button on the Charge 5, then on our Flip 5, and sound dutifully comes from both, clearly and with no notable lag. With another Charge 5, you can create a stereo pair by toggling across from “Party” (mono sound) to Stereo when hitting the PartyBoost button, but the app is otherwise basic and doesn’t offer anything by way of EQ optimisation. It’s good for firmware updates and to deploy PartyBoost from your phone, where other app-supported JBL speakers (including the Flip 5) will appear ready to link. There is support for the Charge 5 on the JBL Portable app, formerly called JBL Connect. What you can’t do is link the Charge 5 to the older Charge 4, or any older Connect+ enabled JBL speakers for that matter. JBL’s updated daisy-chaining tech means you can beef up your portable sound by linking the Charge 5 with up to 100 other PartyBoost enabled JBL Bluetooth offerings, although that is currently limited to the Boombox 2, Flip 5 and Pulse 4. The Charge 5 now features a JBL PartyBoost button on the control panel on top of the speaker, too, where the Connect+ button sits on the Charge 4.

There is also Bluetooth 5.1 rather than 4.2, but the same 7500mAh battery offers the same 20 hours of playback from a single charge. These units both have dedicated power amplification – 30W for the woofer and 10W for the highs.
#Jbl charge 5 mount driver
The 52 x 90mm bass driver is a couple of millimetres wider than before, and there’s a new 20mm tweeter. Under the hood, however, are plenty of improvements.

The ends of the Charge 5’s trademark barrel-like bodywork boast a slightly more robust rubberised reinforcement, while the speaker itself is a whole 1mm taller, 2mm deeper, 3mm wider and 5g heavier than its older brother – although there’s little in that to the naked eye.
